Since 2005 the collective term of one-liners comprises a multitude of still continuing test arrangements to isolate the paint entirely from the base. Consistently, these result in a kind of painting which has turned into trail and base at the same time – in so-called “cross-paintings”. In this, Höller applies acrylic paint with a syringe right onto glass plates, allows the coils and threads of paint to dry to such an extent that they are still elastic enough to be lifted and and brought into shape again. These spirals titled circular or helix can be attached to the wall as colour objects just like a painting or positioned directly onto the floor as an (RAUM)INSTALLATION object. In any case, the viewer succumbs to their colourful enticement, which projects the vision beyond matter into endlessness. Similar production principles are also applied for the cloths and rolls, where actual one-liners or webs of seemingly endless acrylic threads, develop.Still soft, they can be folded like a cloth, rolled up or draped over another shaping object. In addition to this cross-over between painting and sculpture, Höller has recently blurred the borders between “high” and “low” or art and everyday life. With a demand rendering homage to neo-pop she alienates objects of utility (radio, slide projector, iron …) and indulges in covering them entirely with wild sprinkles of striking colours, which emanate a herbaceous, grown quality from a distance. For a while, the paint turned into object leaves the stage to the colourfully paraphrased object.